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Drawing Room/Tannery Arts Unit 1b, New Tannery Way 58 Grange Road Bermondsey London, SE1 5WS
Our Learning projects make drawing relevant and accessible to our community – for schools, teachers, families & local groups. Come and Draw!
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Buy publications related to our exhibitions, as well as unique artworks and limited editions.
Find out more about Drawing Room, what we do, and our relationship with studio provider Tannery Arts.
Tannery Arts is a small, independent charity concerned with supporting the professional development of emerging and established artists through the provision of affordable studios, promoting their practice through opportunities to exhibit work, develop projects, generate partnerships with local authorities, private property owners and social housing organisations as well as engage in learning activities.
Mounira Al Solh, Frank Auerbach, Paul Cézanne, Virginia Chihota, Lucian Freud, Dryden Goodwin, Barbara Hepworth, David Hockney, Jean-Auguste-Dominique Ingres, Horst Janssen, Claudette Johnson, Michael Landy, Maria Lassnig, Joyce Pensato, Deanna Petherbridge, Francis Picabia, Pablo Picasso, Paula Rego, Nicola Tyson, Jessica Voorsanger and Clifton Wright
Bringing together historic figures such as Ingres, Picasso and Hepworth, and recent and contemporary artists including Lassnig, Hockney and Landy, this exhibition reveals close encounters between artists and their subjects over the past 200 years. Remarkable drawn portraits, rarely seen, sit beside those made today, and demonstrate drawing’s enduring ability to bring characters to life.
Drawing creates the illusion of presence. Using precise lines, Picasso and Freud capture a posed subject, whereas Hockney catches his sitter unaware in a calligraphic flourish of ink. Portraits of family members by Cézanne, Auerbach and Goodwin convey the sense of an intimately unfolding situation through multiple, restless pencil or charcoal lines.
In self-portraits by Maria Lassnig and Nicola Tyson, evocative colours are used to express psychological states and bodily sensations. Landy, in contrast, conveys the demands of self-representation through spidery black lines that knit into staring eyes and a furrowed brow.
The individuality of Mounira Al Solh's migrant and refugee subjects is captured through experiments with style and medium. Drawn on yellow legal pads, they evoke not only an illusion of presence, but act as a material reminder of the contemporary human condition.
Exhibition supported by The Tavolozza Foundation.
Close: Drawn PortraitsClose: Drawn PortraitsInstallation photograph