Exhibitions, Events, Talks, Learning Projects and more – find out what’s happening at Drawing Room!
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Drawing Room/Tannery Arts Unit 1b, New Tannery Way 58 Grange Road Bermondsey London, SE1 5WS
Our Learning projects make drawing relevant and accessible to our community – for schools, teachers, families & local groups. Come and Draw!
Free and open to all, our Library is a unique collection of around 4,000 books dedicated to the exploration of contemporary drawing.
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Buy publications related to our exhibitions, as well as unique artworks and limited editions.
Find out more about Drawing Room, what we do, and our relationship with studio provider Tannery Arts.
Tannery Arts is a small, independent charity concerned with supporting the professional development of emerging and established artists through the provision of affordable studios, promoting their practice through opportunities to exhibit work, develop projects, generate partnerships with local authorities, private property owners and social housing organisations as well as engage in learning activities.
£20
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By Richard Shillitoe
Along with the likes of Leonora Carrington and Dorothea Tanning, the British writer and painter Ithell Colquhoun (1906-1988) is one of a small number of previously overlooked Surrealist women artists, whose stock today is on the rise. Colquhoun's paintings have recently featured in touring exhibitions around the UK, command ever-increasing prices at auction, and her occult travelogues of Ireland (The Crying of the Wind) and Cornwall (The Living Stones), first published in the '50s and reissued with introductions by Stewart Lee in 2016, have quickly sold through four print runs. In Medea's Charms Colquhoun's shorter writings are anthologised for the first time, and reveal the scope and sophistication of her interest in both the occult and surrealism. Poetry and short stories are complimented by her essays, the subjects of which range from hermetic texts for both the novice and the advanced practitioner, to writings on art and folklore. Colquhoun scholar Richard Shillitoe unlocks the secrets of her work, guiding the reader through the extraordinary imagination that lies at the heart of Colquhoun's genius. The book also demonstrates the extent to which Colquhoun used painting to illuminate her writing. The interplay between word and image is brought home by the inclusion of a striking selection of her paintings, some of which are reproduced here for the first time.