Exhibitions, Events, Talks, Learning Projects and more – find out what’s happening at Drawing Room!
Find out our opening hours, how to get here and learn more about our space & local area.
Drawing Room/Tannery Arts
Unit 1b, New Tannery Way
London, SE1 5WS
Our Learning projects make drawing relevant and accessible to our community – for schools, teachers, families & local groups. Come and Draw!
Free and open to all, our Library is a unique collection of around 4,000 books dedicated to the exploration of contemporary drawing.
Our Members support all that we do and enjoy exclusive events, talks, tours and studio visits – find out how you can join!
Buy publications related to our exhibitions, as well as unique artworks and limited editions.
Find out more about Drawing Room, what we do, and our relationship with studio provider Tannery Arts.
Tannery Arts is a small, independent charity concerned with supporting the professional development of emerging and established artists through the provision of affordable studios, promoting their practice through opportunities to exhibit work, develop projects, generate partnerships with local authorities, private property owners and social housing organisations as well as engage in learning activities.
Not Without My Ghosts: The Artist As Medium
10 September – 1 November 2020
Press viewings by appointment, please contact: [email protected]
Hayward Gallery Touring and Drawing Room, London, presents Not Without My Ghosts: The Artist As Medium, a major exhibition of artists and works inspired by mediumistic methodologies and their deep cultural history. Bringing together more than 30 international artists from the 19th century to the present day, it explores the changing historical and aesthetic terms of artistic engagement with mediumship, from perceived spiritual inspiration and creation during séances and trances, to practices of automatism, channelling, and paranormal investigation, whilst also considering clairvoyant practices in relation to the history of feminism.
The exhibition takes as its starting point the visionary work of William Blake and the largely forgotten Victorian spirit artists Georgiana Houghton, Anna Mary Howitt and Barbara Honywood, whose work based on experiences and communication with the world of the spirits was strikingly at odds with prevailing traditions of artistic expression. The exhibition progresses onto Surrealist experiments with automatism, and moves through the 20th Century where work by artists Austin Osman Spare, Ithell Colquhoun and Cameron draws on techniques of automatism combined with an interest in ritualised forms of occultism.
Concluding with works from artists such as Suzanne Treister, Bonnie Camplin, Lea Porsager and Louise Despont, Not Without My Ghosts demonstrates how contemporary artists are using the power of the unseen and the ghostly to explore the radical ambiguities of the world around them.
Acting as a primer rather than a definitive treaty, Not Without My Ghosts addresses 200 years of medium art by exploring how artists have been inspired or directly influenced by forces beyond those accepted by the modern world. In the context of this exhibition, the creation of art is understood as a process of opening up to receive and channel forces that expand the limits of human experience. For some artists, their works function as evidence of another realm of existence, for others the mediation between the hidden and the visible world is utilised as a response to the complexity and strangeness of life. With a large proportion of work by female artists, the exhibition illustrates how it has been primarily women who have engaged with and interpreted spirit art and the mediumistic.
At Drawing Room, where the exhibition opens, the focus is on drawing and its potential to reveal what lies beyond the confines of the visible. The exhibition then expands to include painting, film and installation when it tours to Blackpool, Sheffield and Swansea, while also connecting to the rich legacy of Spiritualism in these towns and cities: the seaside clairvoyance of Blackpool; the legacy of the Victorian art critic and social reformer John Ruskin in Sheffield; and the renowned political activist and Spiritualist Winifred Coombe Tennant, one of the most significant early patrons and official buyer for the collection of the Glynn Vivian Art Gallery in Swansea.
Participating artists: William Blake; Cameron; Bonnie Camplin; Ann Churchill; Ithell Colquhoun; Louise Despont; Casimiro Domingo; Madame Fondrillon; Chiara Fumai; Madge Gill; Susan Hiller; Barbara Honywood; Georgiana Houghton; Anna Mary Howitt; Victor Hugo; Augustin Lesage; Pia Lindman; Ann Lislegaard; André Masson; Grace Pailthorpe; František Jaroslav Pecka; Olivia Plender; Sigmar Polke; Lea Porsager; Austin Osman Spare; Yves Tanguy and Suzanne Treister with The Museum of Blackhole Spacetime Collective. Noviadi Angkasapura; Robert Barry; Vidya Gastaldon; Jock Macdonald and Emma Talbot will be included in the exhibition tour.
Brian Cass, Senior Curator of Hayward Gallery Touring says: “Acting as mediators between a hidden and the visible world, the artists in Not Without My Ghosts create compelling realities of unusual intensity and originality. They invite us to think beyond the bounds of conventional experience. We are delighted to be collaborating with Drawing Room and working with our partners around the UK, connecting to their rich histories of Victorian Spiritualism, to their collections and audiences.”
Kate Macfarlane and Mary Doyle, Co-Directors of Drawing Room, say: “200 years on from Blake, drawing continues to be the principal vehicle for artists to process and express alternative ways of being in the world.”
Not Without My Ghosts: The Artist As Medium is a Hayward Gallery Touring exhibition developed in collaboration with Drawing Room, curated by Lars Bang Larsen, Simon Grant and Marco Pasi.
For further press information and high res images please contact:[email protected]
Drawing Room, London
10 September – 1 November 2020
Millennium Gallery, Museums Sheffield
19 November 2020 – 7 March 2021
Glynn Vivian Art Gallery, Swansea
20 March – June 13 2021
Grundy Art Gallery, Blackpool
Dates to be confirmed.
NOTES TO EDITORS
About Hayward Gallery Touring
Hayward Gallery Touring is the UK’s largest and longest-standing not for profit organisation producing exhibitions of modern and contemporary art that tour to galleries, museums and other publicly funded venues throughout Britain. Funded by Arts Council England and based at Southbank Centre, London, Hayward Gallery Touring collaborates with independent curators, artists, writers and galleries to create ambitious exhibitions that are beyond the scope of a single institution. Ranging in scale from the British Art Show – the largest exhibition of contemporary art produced in the UK – to smaller monographic shows, our imaginative exhibitions are seen by up to half a million people in over 40 cities and towns each year.
About Drawing Room
Drawing Room is a not-for-profit gallery, library, shop and online resource that is dedicated to opening up the world of contemporary drawing to everyone. It is internationally renowned for stimulating debate around the nature and purpose of drawing today. Through free exhibitions, artist talks, practical workshops and a unique library, it nurtures the production and promotes the understanding of drawing. Drawing Room is an Arts Council England National Portfolio Organisation and collaborates with institutions to expand research, produce publications and tour its exhibitions.
About Southbank Centre
Southbank Centre is the UK’s largest arts centre and one of the UK's top five visitor attractions in the midst of London’s most vibrant cultural quarter on the South Bank of the Thames. We exist to present great cultural experiences that bring people together and we achieve this by providing the space for artists to create and present their best work and by creating a place where as many people as possible can come together to experience bold, unusual and eye-opening work. We want to take people out of the everyday, every day. The site has an extraordinary creative and architectural history stretching back to the 1951 Festival of Britain. Southbank Centre is made up of the Royal Festival Hall, Queen Elizabeth Hall, Purcell Room and Hayward Gallery as well as being home to the National Poetry Library and the Arts Council Collection. It is also home to four Resident Orchestras (London Philharmonic Orchestra, Philharmonia Orchestra, London Sinfonietta and Orchestra of the Age of Enlightenment) and four Associate Orchestras (Aurora Orchestra, BBC Concert Orchestra, Chineke! Orchestra and National Youth Orchestra of Great Britain).
Georgiana HoughtonThe Spiritual Crown of Annie Mary Howitt WattsCourtesy georgianahoughton.com1867
Madame FondrillonDessin médianimique, March 1909Private Collection. Courtesy Galerie 1900-2000, Paris1909
Grace PailthorpeThe Torment of TantalusPrivate Collection. Courtesy Galerie 1900-2000, Paris1938
Barbara HonywoodAlbum Page XIV© Bethlem Museum of the Mindc. 1860s
Victor HugoDentelles et Spectres / Laces and GhostsPrivate Collection, Vienna1855-1856
Ann ChurchillOctagonal DrawingCourtesy the artist, photo: Ben Westoby1976
Ann ChurchillBlue oval drawingCourtesy the artist.
Photo: David Bebber
Casimiro DomingoUntitled (undated)Private Collection. Courtesy Galerie 1900-2000, ParisUndated
Pia LindmanGL 28 (Emotional Soup)Courtesy the artist2016
Pia LindmanGL 28 (Naivete)Courtesy the artist2016
Olivia PlenderA Stellar Key to the SummerlandCourtesy the artist and Maureen Paley Gallery2007
Museum of Black Hole Spacetime Séance/Ben VickersJanuary 17th 2020 Visit to the Museum of BHST/Lost in the Museum, Failed attempt #1 to share an unknCourtesy the artist2020
Ithell ColquhounToyCourtesy Tate Archive: Transferred from the National Trust, 2019