Exhibition FIGURE/S: drawing after Bellmer 10 September 2021 – 31 October 2021 Back Kumi MachidaLensCourtesy the artist2017 Location Gallery Kumi MachidaLensCourtesy the artist2017 Paul ChanBarely legal 4Courtesy the artist and Green Naftali, New York © Paul Chan, Collection Emanuel Hoffmann Foundation, permanent loan to the Öffentliche Kunstsammlung Basel Photo: Bisig & Bayer, Basel2009 Neil GallSeparate IdentitiesPrivate collection, courtesy of the artist and Aurel Scheibler, Berlin2020 Unica ZürnGuten Abend mein Ungleuck wie geht es Dir? Ich kegle in Dir um das unentwegte BeugenCourtesy Ubu Gallery, New York © Verlag Brinkmann & Bose Berlin, Germanyc.1958 Hans BellmerUntitled [Reversible Drawing]Courtesy Ubu Gallery, New York1953 Marianna SimnettAnolingusCourtesy the artist 2021 FIGURE/S: drawing after Bellmer explores the body as a site of oppression, liberation and troubling pleasures through the work of modern and contemporary artists. It takes as its starting point the radical and transgressive drawings of Hans Bellmer (1902-1975), whose work simultaneously mimicked and resisted the dehumanisation performed by fascism and racism. His drawings have had a powerful influence, sometimes subterranean, on many artists across the world in both high and popular culture, from French Surrealism to Japanese manga. Recently there has been an upsurge of interest in his work, especially the drawings, by younger contemporary artists. View the exhibition guide The exhibition explores Bellmer’s lasting influence on artists and thinkers through work by twenty modern and contemporary artists from Japan, UK, Lebanon, Nigeria, Germany, France and US. It includes carefully selected drawings made by Bellmer in the 1940s to 60s, by his partner Unica Zürn in the 1960s, by Richard Hamilton in the 1950s and by the Lebanese artist Huguette Caland in the 1970s. These modern works are combined with contemporary approaches that relate to feminism, gender fluidity and anti-racism, including new commissions by Mathew Hale, Rebecca Jagoe, Aura Satz and Marianna Simnett. Bellmer’s influence in Japan is represented by the work of Fuyuko Matsui, Kumi Machida and Tabaimo and the exhibition also includes Paul Chan, Neil Gall, Sharon Kivland, Jade Montserrat, Jean-Luc Moulène, John Murphy, Paul Noble, Wura-Natasha Ogunji and Chloe Piene. Bellmer grew up with the rise of National Socialism in Germany, with its antagonism towards ‘degenerate’ bodies and celebration of the ideal human form. Through the production of hundreds of drawings and the two dolls he constructed in the early 1930s and photographed in disturbing and scandalous scenarios, Bellmer defigured and refigured the body in pursuit of unimagined sensations. He likened the body to a sentence that can be dismantled and recomposed, an interest shared with Unica Zürn, the artist, poet and writer who had a relationship with Bellmer from 1953 until her premature death in 1970. For drawings ‘after’ Bellmer, the phallocentric focus of his enquiry is superseded by approaches that challenge and split the subject to embrace multiplicity and creaturely freedom. Bellmer wrote: ‘If the origin of my work is scandalous it is because, for me, the world is a scandal’. His work has continued to scandalise and this exhibition takes a critical look at its content whilst acknowledging Bellmer’s innovative production of ambiguous and disturbing images that have renewed significance today in their exploration of androgyny and confusion of the real and the virtual. A programme of talks, panel discussions and performances will enrich and expand discourse and research around the issues raised by the exhibition. ON FIGURE/S: drawing after Bellmer is a book published by MA BIBLIOTHÈQUE as a companion to the exhibition. It gathers responses to its themes and is a way to think through and with works of art and their histories involving multiple textual forms, collage, and drawing, which take the radical and transgressive energy of Bellmer and Zürn in unexpected directions. Edited by Kate Macfarlane, Michael Newman, Sharon Kivland and Louis Mason, its 29 contributors include Paul Buck, Jade Montserrat, Bernard Noël, Francesco Urbano Ragazzi, Aura Satz and Sarah Wilson. FIGURE/S: drawing after Bellmer is curated by Michael Newman (Professor of Art Writing, Goldsmiths, University of London) and Kate Macfarlane (Co-director, Drawing Room). An art historian and critic, Newman has written extensively on contemporary art, and has a long-standing interest in drawing, with numerous publications, including ‘The Traces and Marks of Drawing’ in The Stage of Drawing: Gesture and Act (Tate Publishing and The Drawing Center, 2003). He has been researching Bellmer for six years and teaching his work in relation to contemporary art. Downloads Related Content Event ‘ON FIGURE/S Drawing after Bellmer’ Book Launch 14 October 2021 Read FIGURE/S: drawing after Bellmer See more related content Exhibition View BELLMER EXHIBITION VIEWPhotography: Eva Herzog BELLMER EXHIBITION VIEWPhotography: Eva Herzog BELLMER EXHIBITION VIEWPhotography: Eva Herzog BELLMER EXHIBITION VIEWPhotography: Eva Herzog 'This exhibition mines the paradoxical nature of [Bellmer's] work and all its possible eventualities, using it as a starting point for contemporary debate.' Kathryn Lloyd-Burlington Contemporary