Peter Liversidge (b. 1973, Lincoln) lives and works in London. Graduated from the University of Plymouth (1996); and Montana State University (1995). Select solo exhibitions include Working Title Pt.2, Bonniers Konsthall, Stockholm (2018); The Bridge (Choral Piece for Tate Modern), Tate Modern Turbine Hall, London (2016); Proposals for The Aldrich Contemporary Art Museum, The Aldrich Contemporary Art Museum, Ridgefield (2016); Connect! 2016, Museums at Night (2016); Sean Kelly Gallery, New York (2016); Surface Mail, Van Abbe Museum, Eindhoven (2015); Notes on Protesting, Whitechapel Gallery, London (2015); Rules for Vancouver, Vancouver Biennial, Vancouver (2014); C-O-N-T-I-N-U-A-T-I-O-N, i8 Gallery, Reykjavik (2014); doppelgänger, The MAC, Belfast (2014); and Flags for Edinburgh, public art project, Edinburgh Art Festival, Edinburgh (2013). Select group exhibitions include Edifice, Complex, Visionary, Structure, Sean Kelly Gallery, New York (2018); By the Book, Sean Kelly Gallery, New York (2015); Revolver, Matt’s Gallery, London (2014); Instructions for an Ordinary Utopia, Foreground, Frome (2014); Classless Society, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, New York (2013); On Nature, Sean Kelly Gallery, New York (2013); Revealed2: CollectorSpace, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide (2013); The Spirit of Utopia, Whitechapel Gallery, London (2013); Drawing Biennial 2013, Drawing Room, London (2013); ABCDEFGHIJKLMNOPQRSTUVWXYZ, Blip Blip Blip, Leeds (2013); and John Moores Painting Prize Exhibition, Walker Art Gallery, Liverpool (2012).