Peter Liversidge (b. 1973, Lincoln) lives and works in London. He studied at the University of Plymouth (1993-96) and Montana State University (1994-95). Select solo exhibitions include The Bridge (Choral Piece For Tate Modern), Tate Modern Turbine Hall, London (2016); Proposals for The Aldrich Contemporary Art Museum, The Aldrich Contemporary Art Museum, Connecticut, USA (2016); Connect! 2016, Museums at Night (2016); Sean Kelly Gallery, New York, USA (2016); Rules for Vancouver, Vancouver Biennial, Vancouver, Canada (2016); Surface Mail, Van Abbe Museum, Eindhoven, The Netherlands (2015); Notes on Protesting, Whitechapel Gallery, London (2015); C-O-N-T-I-N-U-A-T-I-O-N, i8 Gallery, Reykjavik (2014); doppelgänger, The MAC, Belfast, UK (2014); as we are, Basis, Frankfurt, Germany (2014); Van Abbemuseum, Eindhoven, The Netherlands (2014); doppelgänger, Ingleby Gallery, Edinburgh, UK (2013); and Flags for Edinburgh, public art project, commissioned by Edinburgh Art Festival, Edinburgh, UK (2013). Select group exhibitions include By the Book, Sean Kelly Gallery, New York, USA (2015); Vancouver Biennial, Vancouver, Canada (2015); Revolver, Matt’s Gallery, London (2014); Instructions for an Ordinary Utopia, Foreground, Somerset, UK (2014); Once upon a time and a very good time it was..., Ingleby Gallery, Edinburgh, UK (2013); Classless Society, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, New York (2013); On Nature, Sean Kelly Gallery, New York (2013); Revealed2: CollectorSpace, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, Australia (2013); Works on Paper, i8 Gallery, Reykjavik (2013); The Spirit of Utopia, Whitechapel Gallery, London (2013); Drawing Biennial 2013, Drawing Room, London (2013); ABCDEFGHIJKLMNOPQRSTUVWXYZ, Blip Blip Blip, Leeds, UK (2013); and John Moores Painting Prize Exhibition, Walker Art Gallery, Liverpool (2012). Liversidge is represented by Ingleby Gallery, Edinburgh.