This list provides key titles for further reading around A Slice through the World: Contemporary Artists’ Drawings, a group exhibition that celebrates the sustained power of drawing in the digital age, presented jointly by Drawing Room and Modern Art Oxford. Titles marked with an asterisk * are held in Outset Study.
Title | Author | Year | Selected by | ISBN | URL | Buy |
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Habitat: ruby onyinyechi Amanze [Online article] Published 13 August 2015 http://www.artnews.com/2015/08/13/habitat-ruby-onyinyechi-amanze/ | Katherine McMahon | Amazon | ||||
Graphic Witness * [Exhibition Catalogue] | Published by Drawing Room, London, 2017 | Amazon | ||||
Drawing as Graphic Witness: Nidhal Chamekh in conversation with Kate Macfarlane Published by Drawing Room, London Accessed 13 June 2018 https://drawingroom.org.uk/resources/drawing-as-graphic-witness-nidhal-chamekh-in-conversation | Amazon | |||||
Kate Davis: not just the perfect moments * [Exhibition pamphlet] | Published by Drawing Room, London, 2013 | Amazon | ||||
Kate Davis: Role Forward * | Published by Centre for Contemporary Arts, Glasgow, 2010 | Link | Amazon | |||
Kate Davis: Partners * | Published by Sorcha Dallas, Glasgow, 2005 | Link | Amazon | |||
Kate Davis: could we? I am asking. * | Published by The Breeder, Athens, 2005 | Amazon | ||||
Kate Davis: waiting in 1972; what about 2007? * | Published by Sorcha Dallas, Glasgow, 2007 | Amazon | ||||
Kate Davis: bread * | Published by Centre for Contemporary Arts, Glasgow; Sorcha Dallas, Glasgow, 2006 | Amazon | ||||
Kate Davis in conversation with Roger Malbert [Online audio file] Published by Drawing Room, London, Accessed 13 June 2018 https://drawingroom.org.uk/resources/kate-davis-in-conversation-with-roger-malbert | Amazon | |||||
Knights heritage * | Karl Haendel | Amazon | ||||
Fear * | Karl Haendel | Amazon | ||||
Shame * | Karl Haendel | Link | Amazon | |||
Karl Haendel & Jay DeFeo: Pink cup and The Facts* | Published by Mitchell-Innes & Nash, New York, 2017 | Amazon | ||||
Drawn From Photography * | Curated by Claire Gilman | Amazon | ||||
David Haines: selected works 2008 – 2014 * | Published by Upstream Gallery, Amsterdam, 2014 | Amazon | ||||
A Fragile Membrane, an Illusive Screen: David Haines * | Steve Rushton | Amazon | ||||
Ian Kiaer: endnote, tooth * [Exhibition pamphlet] | Published by Musee d'Art moderne de la Ville de Paris, Paris, 2017 | Amazon | ||||
Cabinets * | Published by SE8, London, 2009 | Amazon | ||||
Ciprian Muresan: drawings 2015-2004 * | Edited by Mihai Pop | Link | Amazon | |||
Ian Kiaer: Endless House Projects | Caoimhín Mac Giolla Léith | Link | Amazon | |||
The seductiveness of the interval: Stefan Constantinescu, Andrea Faciu, Ciprian Muresan * | Published by La Biennale di Venezia, Venice, 2009 | Link | Amazon | |||
No new thing under the sun * [Exhibition pamphlet] | Gabriel Coxhead | Amazon | ||||
Blumfeld, an elderly batchelor * | David Musgrave | Amazon | ||||
Unit * | David Musgrave | Amazon | ||||
Recognition: Anna Barriball, David Musgrave, Edwina Ashton, David Mackintosh * | Edited by Simon Morrissey and Lucy Steeds | Link | Amazon | |||
Waste material * | Curated by David Musgrave | Link | Amazon | |||
Living Dust * | Curated by David Musgrave | Link | Amazon | |||
David Musgrave: art now at Tate Britain * [Exhibition pamphlet] | Published by Tate Britain, London, 2003 | Amazon | ||||
Spirit plane no. 3 In Space Force Construction, published by V-A-C Foundation, Venice and Art Review, London, 2017, p.4 | David Musgrave | Amazon | ||||
Paper as Body: A Conversation [Online article] Published 19 January 2016 https://theoffingmag.com/enumerate/paper-as-body/ | ruby onyinyechi amanze and Wura-Natasha Ogunji | Amazon | ||||
Kathy Prendergast: OR * | Edited by Andrew Wilson | Amazon | ||||
Lucy Skaer * | Fiona Bradley | Link | Amazon | |||
Lucy Skaer : drawings 2004-2005 * | Published by Doggerfisher, Edinburgh, 2006 | Amazon | ||||
Lucy Skaer: A boat used as a vessel * | Edited by Adam Szymczyk | Link | Amazon | |||
Lucy Skaer: Interview with Isla Leaver- Yap [Article] In Map Magazine, no.10, (30 May 2007) | Amazon | |||||
Barbara Walker: As Seen * | Edited by Stephanie Baptist | Link | Amazon | |||
[Drawing] * Exhibition catalogue | Published by MoMA, Oxford, 1972 | Amazon | ||||
Avant-Garde Survey [Article] Published in Oxford Mail, 20 December 1972 | Andrew Hutton | Amazon | ||||
The dematerialisation of art [Article] Published in Art International, volume 12:2, (February 1968), pp.31–36 | Lucy Lippard and John Chandler | Amazon | ||||
Six Years: The Dematerialization of the Art Object from 1966 to 1972 | Edited by Lucy Lippard | Link | Amazon | |||
Dealing with Dematerialization [Book review] Published in Art History, volume 32, issue no. 2 (2009), pp.399–404 | Anna Dezeuze | Amazon | ||||
Exhibitions [of Drawings] in Britain, 1964–80 * In "Towards Visibility: Exhibiting Contemporary Drawing 1964–80", published by Roven Editions, Paris, 2015, p.56 | Lucy Steeds | Amazon | ||||
The Ground of Drawing: Graphic Operations in the 1960s and 1970s [PhD theses] * University College London, 2013 | Stephanie Straine | Amazon | ||||
Sculpture in the Expanded Field [Article] In October, Vol. 8 (Spring 1979), pp.30–44 | Rosalind Krauss | Amazon | ||||
On Line: Drawing through the Twentieth Century | Edited by Cornelia Butler and Catherine de Zegher | Link | Amazon | |||
Media Borders, Multimodality and Intermediality | Edited by Lars Ellström | Link | Amazon | |||
Drawing Water * | Tania Kovats | Link | Amazon | |||
Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory | Rosi Braidotti | Link | Amazon | |||
Privacy and Publicity: Modern Architecture as Mass Media | Beatriz Colomina | Link | Amazon | |||
Drawing’s Finish [Book chapter] In "A Companion to Contemporary Drawing", edited by Kelly Chorpening and Rebecca Fortnum, Published by Wiley Blackwell, New Jersey, 2018 | Stephanie Straine | Amazon | ||||
Rauschenberg/Dante: Drawing a Modern Inferno * | Ed Krcma | Link | Amazon | |||
Photogenic Painting [Book chapter] In "Gérard Fromanger: Photogenic Painting", by Gilles Deleuze and Michel Foucault, published by Black Dog, London, 1999, p.89 | Michel Foucault | Link | Amazon | |||
Painting, or Signs and Marks (1917) In "Walter Benjamin: Selected Writings, Volume 1, 1913-1926" edited by M. Bullock and M. W. Jennings, published by Cambridge, Mass., and London, 2004, p.84 | Walter Benjamin | Link | Amazon | |||
The Pleasure in Drawing * | Jean-Luc Nancy | Link | Amazon | |||
The Trompe-l’Oeil * In "Calligram: Essays in New Art History from France", edited by N. Bryson, published by Cambridge University Press, Cambridge and New York, 1988, p.55 | Jean Baudrillard | Link | Amazon | |||
Batchelor, Kovats and Musgrave in Conversation [Online video] Published by Drawing Room, London, Accessed 13 June 2018 https://drawingroom.org.uk/resources/artists-in-conversation-david-batchelor-tania-kovats-and-david-musgrave | Amazon | |||||
Original and Facsimile Reproduction (1930) In "RES. Anthropology and Aesthetics", Volume 57/58 (2010), pp.330–38 | By Erwin Panofsky, translated by Timothy Grundy | Amazon | ||||
Tarkovsky: Sculpting in Time | Translated by Kitty Hunter Blair | Link | Amazon | |||
The policeman's beard is half constructed: art in the age of artificial intelligence | Michelle Cotton | Amazon |
Titles marked with an asterix * are held in the Outset Study library