This list provides key titles for further reading around A Slice through the World: Contemporary Artists’ Drawings, a group exhibition that celebrates the sustained power of drawing in the digital age, presented jointly by Drawing Room and Modern Art Oxford. Titles marked with an asterisk * are held in Outset Study.
| Title | Author | Year | Selected by | ISBN | URL |
|---|---|---|---|---|---|
| Habitat: ruby onyinyechi Amanze [Online article] Published 13 August 2015 http://www.artnews.com/2015/08/13/habitat-ruby-onyinyechi-amanze/ | Katherine McMahon | ||||
| Graphic Witness * [Exhibition Catalogue] | Published by Drawing Room, London, 2017 | ||||
| Drawing as Graphic Witness: Nidhal Chamekh in conversation with Kate Macfarlane Published by Drawing Room, London Accessed 13 June 2018 https://drawingroom.org.uk/resources/drawing-as-graphic-witness-nidhal-chamekh-in-conversation | |||||
| Kate Davis: not just the perfect moments * [Exhibition pamphlet] | Published by Drawing Room, London, 2013 | ||||
| Kate Davis: Role Forward * | Published by Centre for Contemporary Arts, Glasgow, 2010 | Link | |||
| Kate Davis: Partners * | Published by Sorcha Dallas, Glasgow, 2005 | Link | |||
| Kate Davis: could we? I am asking. * | Published by The Breeder, Athens, 2005 | ||||
| Kate Davis: waiting in 1972; what about 2007? * | Published by Sorcha Dallas, Glasgow, 2007 | ||||
| Kate Davis: bread * | Published by Centre for Contemporary Arts, Glasgow; Sorcha Dallas, Glasgow, 2006 | ||||
| Kate Davis in conversation with Roger Malbert [Online audio file] Published by Drawing Room, London, Accessed 13 June 2018 https://drawingroom.org.uk/resources/kate-davis-in-conversation-with-roger-malbert | |||||
| Knights heritage * | Karl Haendel | ||||
| Fear * | Karl Haendel | ||||
| Shame * | Karl Haendel | Link | |||
| Karl Haendel & Jay DeFeo: Pink cup and The Facts* | Published by Mitchell-Innes & Nash, New York, 2017 | ||||
| Drawn From Photography * | Curated by Claire Gilman | ||||
| David Haines: selected works 2008 – 2014 * | Published by Upstream Gallery, Amsterdam, 2014 | ||||
| A Fragile Membrane, an Illusive Screen: David Haines * | Steve Rushton | ||||
| Ian Kiaer: endnote, tooth * [Exhibition pamphlet] | Published by Musee d'Art moderne de la Ville de Paris, Paris, 2017 | ||||
| Cabinets * | Published by SE8, London, 2009 | ||||
| Ciprian Muresan: drawings 2015-2004 * | Edited by Mihai Pop | Link | |||
| Ian Kiaer: Endless House Projects | Caoimhín Mac Giolla Léith | Link | |||
| The seductiveness of the interval: Stefan Constantinescu, Andrea Faciu, Ciprian Muresan * | Published by La Biennale di Venezia, Venice, 2009 | Link | |||
| No new thing under the sun * [Exhibition pamphlet] | Gabriel Coxhead | ||||
| Blumfeld, an elderly batchelor * | David Musgrave | ||||
| Unit * | David Musgrave | ||||
| Recognition: Anna Barriball, David Musgrave, Edwina Ashton, David Mackintosh * | Edited by Simon Morrissey and Lucy Steeds | Link | |||
| Waste material * | Curated by David Musgrave | Link | |||
| Living Dust * | Curated by David Musgrave | Link | |||
| David Musgrave: art now at Tate Britain * [Exhibition pamphlet] | Published by Tate Britain, London, 2003 | ||||
| Spirit plane no. 3 In Space Force Construction, published by V-A-C Foundation, Venice and Art Review, London, 2017, p.4 | David Musgrave | ||||
| Paper as Body: A Conversation [Online article] Published 19 January 2016 https://theoffingmag.com/enumerate/paper-as-body/ | ruby onyinyechi amanze and Wura-Natasha Ogunji | ||||
| Kathy Prendergast: OR * | Edited by Andrew Wilson | ||||
| Lucy Skaer * | Fiona Bradley | Link | |||
| Lucy Skaer : drawings 2004-2005 * | Published by Doggerfisher, Edinburgh, 2006 | ||||
| Lucy Skaer: A boat used as a vessel * | Edited by Adam Szymczyk | Link | |||
| Lucy Skaer: Interview with Isla Leaver- Yap [Article] In Map Magazine, no.10, (30 May 2007) | |||||
| Barbara Walker: As Seen * | Edited by Stephanie Baptist | Link | |||
| [Drawing] * Exhibition catalogue | Published by MoMA, Oxford, 1972 | ||||
| Avant-Garde Survey [Article] Published in Oxford Mail, 20 December 1972 | Andrew Hutton | ||||
| The dematerialisation of art [Article] Published in Art International, volume 12:2, (February 1968), pp.31–36 | Lucy Lippard and John Chandler | ||||
| Six Years: The Dematerialization of the Art Object from 1966 to 1972 | Edited by Lucy Lippard | Link | |||
| Dealing with Dematerialization [Book review] Published in Art History, volume 32, issue no. 2 (2009), pp.399–404 | Anna Dezeuze | ||||
| Exhibitions [of Drawings] in Britain, 1964–80 * In "Towards Visibility: Exhibiting Contemporary Drawing 1964–80", published by Roven Editions, Paris, 2015, p.56 | Lucy Steeds | ||||
| The Ground of Drawing: Graphic Operations in the 1960s and 1970s [PhD theses] * University College London, 2013 | Stephanie Straine | ||||
| Sculpture in the Expanded Field [Article] In October, Vol. 8 (Spring 1979), pp.30–44 | Rosalind Krauss | ||||
| On Line: Drawing through the Twentieth Century | Edited by Cornelia Butler and Catherine de Zegher | Link | |||
| Media Borders, Multimodality and Intermediality | Edited by Lars Ellström | Link | |||
| Drawing Water * | Tania Kovats | Link | |||
| Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory | Rosi Braidotti | Link | |||
| Privacy and Publicity: Modern Architecture as Mass Media | Beatriz Colomina | Link | |||
| Drawing’s Finish [Book chapter] In "A Companion to Contemporary Drawing", edited by Kelly Chorpening and Rebecca Fortnum, Published by Wiley Blackwell, New Jersey, 2018 | Stephanie Straine | ||||
| Rauschenberg/Dante: Drawing a Modern Inferno * | Ed Krcma | Link | |||
| Photogenic Painting [Book chapter] In "Gérard Fromanger: Photogenic Painting", by Gilles Deleuze and Michel Foucault, published by Black Dog, London, 1999, p.89 | Michel Foucault | Link | |||
| Painting, or Signs and Marks (1917) In "Walter Benjamin: Selected Writings, Volume 1, 1913-1926" edited by M. Bullock and M. W. Jennings, published by Cambridge, Mass., and London, 2004, p.84 | Walter Benjamin | Link | |||
| The Pleasure in Drawing * | Jean-Luc Nancy | Link | |||
| The Trompe-l’Oeil * In "Calligram: Essays in New Art History from France", edited by N. Bryson, published by Cambridge University Press, Cambridge and New York, 1988, p.55 | Jean Baudrillard | Link | |||
| Batchelor, Kovats and Musgrave in Conversation [Online video] Published by Drawing Room, London, Accessed 13 June 2018 https://drawingroom.org.uk/resources/artists-in-conversation-david-batchelor-tania-kovats-and-david-musgrave | |||||
| Original and Facsimile Reproduction (1930) In "RES. Anthropology and Aesthetics", Volume 57/58 (2010), pp.330–38 | By Erwin Panofsky, translated by Timothy Grundy | ||||
| Tarkovsky: Sculpting in Time | Translated by Kitty Hunter Blair | Link | |||
| The policeman's beard is half constructed: art in the age of artificial intelligence | Michelle Cotton |
Titles marked with an asterix * are held in the Outset Study library