Tue 23 Jun 2020

Not Without My Ghosts: The Artist As Medium

Not Without My Ghosts: The Artist As Medium
10 September – 1 November 2020
Press viewings by appointment, please contact: [email protected] 

Hayward Gallery Touring and Drawing Room, London, presents ​Not Without My Ghosts: The Artist As Medium​, a major exhibition of artists and works inspired by mediumistic methodologies and their deep cultural history. Bringing together more than 30 international artists from the 19th century to the present day, it explores the changing historical and aesthetic terms of artistic engagement with mediumship, from perceived spiritual inspiration and creation during séances and trances, to practices of automatism, channelling, and paranormal investigation, whilst also considering clairvoyant practices in relation to the history of feminism.

The exhibition takes as its starting point the visionary work of William Blake and the largely forgotten Victorian spirit artists Georgiana Houghton, Anna Mary Howitt and Barbara Honywood, whose work based on experiences and communication with the world of the spirits was strikingly at odds with prevailing traditions of artistic expression. The exhibition progresses onto Surrealist experiments with automatism, and moves through the 20th Century where work by artists Austin Osman Spare, Ithell Colquhoun and Cameron draws on techniques of automatism combined with an interest in ritualised forms of occultism. 

Concluding with works from artists such as Suzanne Treister, Bonnie Camplin, Lea Porsager and Louise Despont, ​Not Without My Ghosts ​demonstrates how contemporary artists are using the power of the unseen and the ghostly to explore the radical ambiguities of the world around them. 

Acting as a primer rather than a definitive treaty, ​Not Without My Ghosts ​addresses 200 years of medium art by exploring how artists have been inspired or directly influenced by forces beyond those accepted by the modern world.​ In the context of this exhibition, the creation of art is understood as a process of opening up to receive and channel forces that expand the limits of human experience. For some artists, their works function as evidence of another realm of existence, for others the mediation between the hidden and the visible world is utilised as a response to the complexity and strangeness of life. With a large proportion of work by female artists, the exhibition illustrates how it has been primarily women who have engaged with and interpreted spirit art and the mediumistic. 

At Drawing Room, where the exhibition opens, the focus is on drawing and its potential to reveal what lies beyond the confines of the visible. The exhibition then expands to include painting, film and installation when it tours to Blackpool, Sheffield and Swansea, while also connecting to the rich legacy of Spiritualism in these towns and cities: the seaside clairvoyance of Blackpool; the legacy of the Victorian art critic and social reformer John Ruskin in Sheffield; and the renowned political activist and Spiritualist Winifred Coombe Tennant, one of the most significant early patrons and official buyer for the collection of the Glynn Vivian Art Gallery in Swansea.

Participating artists:​ William Blake; Cameron; Bonnie Camplin; Ann Churchill; Ithell Colquhoun; Louise Despont; Casimiro Domingo; Madame Fondrillon; Chiara Fumai; Madge Gill; Susan Hiller; Barbara Honywood; Georgiana Houghton; Anna Mary Howitt; Victor Hugo; Augustin Lesage; Pia Lindman; Ann Lislegaard; André Masson; Grace Pailthorpe; František Jaroslav Pecka; Olivia Plender; Sigmar Polke; Lea Porsager; Austin Osman Spare; Yves Tanguy ​and​ Suzanne Treister​ with ​The Museum of Blackhole Spacetime Collective. Noviadi Angkasapura; Robert Barry; Vidya Gastaldon; Jock Macdonald and Emma Talbot will be included in the exhibition tour.

Brian Cass, Senior Curator of Hayward Gallery Touring​ says: “​Acting as mediators between a hidden and the visible world, the artists in​ Not Without My Ghosts​ create compelling realities of unusual intensity and originality. They invite us to think beyond the bounds of conventional experience. We are delighted to be collaborating with Drawing Room and working with our partners around the UK, connecting to their rich histories of Victorian Spiritualism, to their collections and audiences​.”

Kate Macfarlane and Mary Doyle, Co-Directors of Drawing Room​, say: ​ “​200 years on from Blake, drawing continues to be the principal vehicle for artists to process and express alternative ways of being in the world.​”

Not Without My Ghosts: The Artist As Medium​ is a Hayward Gallery Touring exhibition developed in collaboration with Drawing Room, curated by Lars Bang Larsen, Simon Grant and Marco Pasi.

For further press information and high res images please contact: [email protected] 

Drawing Room, London
10 September – 1 November 2020

Millennium Gallery, Museums Sheffield
19 November 2020 – 7 March 2021

Glynn Vivian Art Gallery, Swansea
20 March – June 13 2021

Grundy Art Gallery, Blackpool
Dates to be confirmed.

NOTES TO EDITORS

About Hayward Gallery Touring

Hayward Gallery Touring is the UK’s largest and longest-standing not for profit organisation producing exhibitions of modern and contemporary art that tour to galleries, museums and other publicly funded venues throughout Britain. Funded by Arts Council England and based at Southbank Centre, London, Hayward Gallery Touring collaborates with independent curators, artists, writers and galleries to create ambitious exhibitions that are beyond the scope of a single institution. Ranging in scale from the British Art Show – the largest exhibition of contemporary art produced in the UK – to smaller monographic shows, our imaginative exhibitions are seen by up to half a million people in over 40 cities and towns each year.

About Drawing Room

Drawing Room is a not-for-profit gallery, library, shop and online resource that is dedicated to opening up the world of contemporary drawing to everyone. It is internationally renowned for stimulating debate around the nature and purpose of drawing today. Through free exhibitions, artist talks, practical workshops and a unique library, it nurtures the production and promotes the understanding of drawing. Drawing Room is an Arts Council England National Portfolio Organisation and collaborates with institutions to expand research, produce publications and tour its exhibitions.

About Southbank Centre 

Southbank Centre is the UK’s largest arts centre and one of the UK's top five visitor attractions in the midst of London’s most vibrant cultural quarter on the South Bank of the Thames. We exist to present great cultural experiences that bring people together and we achieve this by providing the space for artists to create and present their best work and by creating a place where as many people as possible can come together to experience bold, unusual and eye-opening work. We want to take people out of the everyday, every day. The site has an extraordinary creative and architectural history stretching back to the 1951 Festival of Britain. Southbank Centre is made up of the Royal Festival Hall, Queen Elizabeth Hall, Purcell Room and Hayward Gallery as well as being home to the National Poetry Library and the Arts Council Collection. It is also home to four Resident Orchestras (London Philharmonic Orchestra, Philharmonia Orchestra, London Sinfonietta and Orchestra of the Age of Enlightenment) and four Associate Orchestras (Aurora Orchestra, BBC Concert Orchestra, Chineke! Orchestra and National Youth Orchestra of Great Britain).

Georgiana Houghton, The Spiritual Crown of Annie Mary Howitt Watts 1867 Watercolour on paper on board, 33 x 23 cm Courtesy georgianahoughton.com

Madame Fondrillon, Dessin médianimique, March 1909 1909 Graphite and colour crayon on paper, 21.4 x 27.2 cm Private Collection. Courtesy Galerie 1900-2000, Paris

Grace Pailthorpe, The Torment of Tantalus 1938 Watercolour on paper, 27.5 x 38 cm Private Collection. Courtesy Galerie 1900-2000, Paris

Barbara Honywood, Album Page XIV c. 1860s © Bethlem Museum of the Mind

Victor Hugo, Dentelles et Spectres / Laces and Ghosts 1855-1856 Charcoal, brown ink on paper, 5.8 x 6.7 cm Private Collection, Vienna

Ann Churchill, Octagonal Drawing 1976 Ink on paper, 55.6 x 56 cm Courtesy the artist, photo: Ben Westoby

Ann Churchill, Blue oval drawing 1975 Ink on paper, 55.6 x 42.8 cm Courtesy the artist. Photo: David Bebber

Casimiro Domingo, Untitled (undated) Undated Crayon gras on paper, 24.5 x 34.5 cm Private Collection. Courtesy Galerie 1900-2000, Paris

Pia Lindman, GL 28 (Emotional Soup) 2016 Pencil, crayon, and ink felt pen on archival paper, 29.5 cm x 21 cm Courtesy the artist

Pia Lindman, GL 28 (Naivete) 2016 Pen, China ink and felt pen on archival paper, 29.5 x 21 cm Courtesy the artist

Olivia Plender, A Stellar Key to the Summerland 2007 Ink on drawings, 21 x 29.7 cm Courtesy the artist and Maureen Paley Gallery

Museum of Black Hole Spacetime Séance/Ben Vickers, January 17th 2020 Visit to the Museum of BHST/Lost in the Museum, Failed attempt #1 to share an unkn 2020 Watercolour on paper, 29.7 x 21 cm Courtesy the artist

Ithell Colquhoun, Toy 1947 Watercolour and ink on paper, 42 x 31.5 cm Courtesy Tate Archive: Transferred from the National Trust, 2019