|Medium||Cut tape on paper|
|Dimensions||29.6 x 21 cm|
|Bidding Open||Thu 16 April, 2015 at 10:00am|
|Bidding Ended||Wed 26 April, 2017 at 9:00pm|
Peter Liversidge (b. 1973, Lincoln) lives and works in London. He studied at the University of Plymouth (1993-96) and Montana State University (1994-95). Select solo exhibitions include The Bridge (Choral Piece For Tate Modern), Tate Modern Turbine Hall, London (2016); Proposals for The Aldrich Contemporary Art Museum, The Aldrich Contemporary Art Museum, Connecticut, USA (2016); Connect! 2016, Museums at Night (2016); Sean Kelly Gallery, New York, USA (2016); Rules for Vancouver, Vancouver Biennial, Vancouver, Canada (2016); Surface Mail, Van Abbe Museum, Eindhoven, The Netherlands (2015); Notes on Protesting, Whitechapel Gallery, London (2015); C-O-N-T-I-N-U-A-T-I-O-N, i8 Gallery, Reykjavik (2014); doppelgänger, The MAC, Belfast, UK (2014); as we are, Basis, Frankfurt, Germany (2014); Van Abbemuseum, Eindhoven, The Netherlands (2014); doppelgänger, Ingleby Gallery, Edinburgh, UK (2013); and Flags for Edinburgh, public art project, commissioned by Edinburgh Art Festival, Edinburgh, UK (2013). Select group exhibitions include By the Book, Sean Kelly Gallery, New York, USA (2015); Vancouver Biennial, Vancouver, Canada (2015); Revolver, Matt’s Gallery, London (2014); Instructions for an Ordinary Utopia, Foreground, Somerset, UK (2014); Once upon a time and a very good time it was..., Ingleby Gallery, Edinburgh, UK (2013); Classless Society, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, New York (2013); On Nature, Sean Kelly Gallery, New York (2013); Revealed2: CollectorSpace, Anne & Gordon Samstag Museum of Art, University of South Australia, Adelaide, Australia (2013); Works on Paper, i8 Gallery, Reykjavik (2013); The Spirit of Utopia, Whitechapel Gallery, London (2013); Drawing Biennial 2013, Drawing Room, London (2013); ABCDEFGHIJKLMNOPQRSTUVWXYZ, Blip Blip Blip, Leeds, UK (2013); and John Moores Painting Prize Exhibition, Walker Art Gallery, Liverpool (2012). Liversidge is represented by Ingleby Gallery, Edinburgh.
For each Drawing Biennial Peter Liversidge produces a version of Winter Tree, made from black tape cut using a scalpel he executes a fragile silhouette of a tree and its branches. He began doodling on the back of the paper filling it with notation and observation before moving on to the other side to produce Winter Drawing 24 Version 22.