- Outset Study
- Support us
from actress Michelle Dockery
|Medium||Photocopy, unique print|
|Dimensions||29.5 x 21 cm|
|Bidding Open||Thu 16 April, 2015 at 10:00am|
|Bidding Ended||Tue 26 March, 2019 at 9:30pm|
Born 1986 London, Sam Austen lives and works in London. Graduated from BA Fine Art Chelsea College of Art and Design, London (2009); and Royal Academy Schools, London (2017).
Early animated cinema, graphic novels, horror film, and science fiction are particular influences on Austen's work. Primarily he produces 16mm films that utilise a range of in-camera multi-layered special effects, shooting an array of studio-built objects, material and texts.
Austen is interested in creating an awareness of the image as a physical entity, something that wrestles with its non-physical nature, wrangling with an excessively expanding eye that flirts with both the virtual and the real. A constant vortex of looking and longing, both inwards and outwards of the image.
Selected solo exhibitions include Hologram Burnt On To The Retina, Farbvision, Berlin (2018); Run!! For The Present, Deptford X, London (2017); Such Animals, Paradise Row, London (2014); A Cool Drink To Cheek, Plaza Plaza, London (2014); and Angry Film, The Sunday Painter, London (2010). Selected group exhibitions include IMAGE DRUM, Royal Academy, London (2019); Out of Eye, Laure Genillard, London (2019); New Work II: Material, Cob Gallery, London (2018); CHUMMING, The Pipe Factory, Glasgow (2018); Like Honey From A Weed, Cass Sculpture Foundation, Goodwood (2017); Premiums Interim Projects, Royal Academy of Arts, London (2016); Tomb, Shrine, Survey-marker, Spare part, Enclave, London (2014); Dreamland, Garis and Hahn, New York (2014); Open Heart Surgey, The Moving Museum, London (2013); The Instability of the Image, Paradise Row, London (2013); Young London, V22, London (2012); and Seconds, The Sunday Painter, London (2011).
Awards include the ACME Studio Prize, Chelsea (2009).
Sam Austen's The Hot Glass Tourist’s Dream began as a drawing of a hand on one side of the paper which is pulled through a photocopier to create a mirrored image, then drawn on and re-photocopied until you get repeated images. Using the outmoded photocopier the drawing is like film speed with slight nuances of change, affecting a hallucinogenic image. Austen’s work is mainly moving image and objects. His analogue films are made up of collaged images of constructed 2d and 3d objects, drawings, words and sounds. He is interested in the materiality of analogue film as opposed to digital, and drawing being part of the manual process in the moving image.