Year | 2015 |
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Medium | Inkjet plotter on archive Hahnemuehle paper |
Dimensions | 21 x 31.9 cm |
Bidding Open | Thu 16 April, 2015 at 10:00am |
Bidding Ended | Tue 26 March, 2019 at 9:30pm |
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Susan Morris (b.1962, Birmingham) lives and works in London. Graduated from BA Hons Birmingham College of Art (1984); MA at Goldsmiths College (1991); and PhD at University of the Arts (2007). Awards include a Wellcome Trust grant to make new work for the John Radcliffe Hospital, Oxford (2010). Select exhibitions include Reflex II, Bartha Contemporary, London (2018); For Eternity: Archival Strategies in Art, Kunstraum Alexander Bürkle (2017); En l’occurrence, CEAAC, Strasbourg (2017); No Secrets, ERES-Stiftung Munich (2017); Intuition, Palazzo Fortuny, Venice (2017); Real Print, Valentines, Los Angeles (2017); Susan Morris: Self Moderation, Kunsthaus PasquArt, Switzerland (2016) Thinking in Algorithms, Scheublein + Bak, Zürich (2016); "… und eine welt noch", Kunsthaus Hamburg, Hamburg (2016); Compression, Ormston House, Limerick (2015); Drawing Biennial, Drawing Room, London (2015); La Collection Impossible, Fondation Fernet-Branca à Saint-Louis, Saint-Louis (2014); Whisper Down the Lane, Gallery 400, University of Illinois, Chicago, (2013); Motion Capture: Drawing and the Moving Image in Contemporary Art, Lewis Glucksman Gallery, Cork (2012); Susan Morris: Untitled Motion Capture Drawings, London Gallery West, London (2012); Timewarp, CRAC Alsace, Altkirch (2009); and Sontag Montag: Drawings, Recordings and Diagrams, Five Years, London (2009). Her works are held in public and private collections including the UBS Collection, London; the Centre PasquArt Collection, Biel; ERES Stiftung Foundation, Munich; and FRAC Alsace, Sélestat.