|Medium||Biro on print|
|Dimensions||27.8 x 20.6 cm|
|Bidding Open||Thu 16 April, 2015 at 10:00am|
|Bidding Ended||Tue 26 March, 2019 at 9:30pm|
Born 1962 London, Sonia Boyce lives and works in London. Graduated from Art & Design at East Ham College of Art and Technology (1980); and BA in Fine Art at Stourbridge College (1983).
Boyce came to prominence as a key figure in the burgeoning Black-British art scene of the early 1980s. She was one of the youngest artists of her generation to have her work acquired by Tate, featuring deeply personal reflections on race, class, and gender in Britain.
She is known for her highly innovative and experimental approach to art-making, using performance, drawing, print, photography, and audio-visual elements in her work. Since the 1990s, her practice has become increasingly improvisational and collaborative, inviting a broad cross-section of people to come together and participate in the creative process.
Her works are held in public and private collections including Arts Council England, Tate Modern, London and Royal Academy.
Selected exhibitions include Paper Tiger Whisky Soap Theatre (Dada Nice), Villa Arson, Nice (2016); All the World’s Futures, 56th Venice Biennale of Contemporary Art, Venice (2015); Speaking in Tongues, CCA, Glasgow (2014); Scat – Sound and Collaboration, Iniva, London (2013); Play! Re-capturing the Radical Imagination, Göteborg International Biennial of Contemporary Art 7, Göteborg (2013); The Impossible Community, Moscow Museum of Modern Art, Moscow (2011); Afro Modern: Journeys Through the Black Atlantic, Tate Liverpool, Liverpool (2010); Like Love, Spike Island, Bristol (2009).
Boyce was elected a Royal Academician (2016); and received an OBE for Services to Art in the Queen’s New Year Honours List (2019). In February 2020 Boyce was announced by the British Council as the next artist to represent Britain at the Venice Biennale 2022.