|Medium||Silver tape and silver marker on inket print|
|Dimensions||29.7 x 21 cm|
|Bidding Open||Thu 16 April, 2015 at 10:00am|
|Bidding Ended||Tue 26 March, 2019 at 9:30pm|
Charlotte Cullinan and Jeanine Richards have worked together since 1997 and are currently based in London. Cullinan is Professor of Fine Art – Course Director, MA Fine Art Programme at Kingston University. Richards is Principal Lecturer MA Fine Art Programme at Kingston University. Selected solo exhibitions include Black Lights, CAR Projects, Bologna, Italy (2011), First Unaffected Unaffected Formal Effects Last, Cooper Gallery, DJCAD, Dundee (2010), Maradona Two –For Four, The LAB, Dublin, Ireland (2010), Positions: The Primitives, Laing Gallery, Newcastle (2009). Selected group exhibitions include John Moores Painting Prize, Liverpool (2012), Recent British Painting, GRIMM, Amsterdam (2012), The Occupants, Stanley Picker Gallery Kingston (2012), Works for Sarah Michelson dance company USA for, Whitney Biennial (2012). They were amongst the selectors of New Contemporaries 2012 and in 2006 they established the Savage School Window Gallery using the window of their studio on Vyner Street, London, as a platform to display texts by writers, artists and curators.
Like so many drawings in Drawing Biennial 2015, artist duo Cullinan Richards' CE 235 2015 packs into an A4 sheet of paper a myriad ideas and multiple references. The work is an assemblage generated from a life drawing session: the contingency of the studio situation is conveyed through the line drawing of a male torso, juxtaposed with the Daily Mirror dramatic front page plane crash story (the number of the plane provides the work’s title) and the composition is anchored by a track-suit clad crotch. Cullinan and Richards are a dynamic duo who in their studio in Vyner Street, east London, present the work of other artists and their own work in the guise of an Italian grocery store. Future projects include a show at Eastside Projects in Birmingham.