Drawing Biennial 2015

Exhibition: 5 March – 30 April · Auction: 16 April 10am – 30 April 9pm


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David Austen

Balancing Act

Year 2015
Medium Colouring pencil on paper
Dimensions 29.6 x 21.1 cm
Bidding Open Thu 16 April, 2015 at 10:00am
Bidding Ended Thu 30 April, 2015 at 9:00pm

David Austen:

David Austen (b.1960, Harlow, Essex) is a London based artist.  He studied at Maidstone College from 1978-81 and the Royal College of Art from 1982-85. Austen was awarded the Stanley Picker Fellowship at Kingston University in 2008-09. Recent solo exhibitions include The Gorgon’s Dream, The Burns Monument, Ingleby Gallery and the Edinburgh International Film Festival, Edinburgh and at Rob Tufnell, London (2012); Papillon, Anthony Reynolds Gallery, London (2011); Smoke Town, Edinburgh billboard, Ingleby Gallery, Edinburgh, End of Love, Modern Art Gallery Oxford, Oxford (2010); Man Smoking, Schiavo Mazzonis Gallery, Rome (2009); My love, I have been digging up my own bones in the garden again, Ingleby Gallery, Edinburgh (2009); The End of Love, Stanley Picker Gallery, Kingston University, Kingston-Upon-Thames (2009); Austen participated in Language Games. An Introduction to The Art of Our Times, Fundación Helga de Alvear, Cáceres, Spain (2012); Artists for Kettle’s Yard, Kettle’s Yard, Cambridge (2011); and Watercolour, Tate Britain, London (2011), amongst others. 

See David Austen's profile in our Directory

" I am known for the multifaceted nature of my work. It ranges from abstraction to figurative and incorporates painting, photography, film, hanging sculpture, watercolour and gouache. Each medium has its own peculiar logic and makes me behave in a certain way in its making. Making drawings with colouring pencils brings out my obsessive side. I like, in fact I have to, fill in the entire page with
coloured pencil marks until completely covered. This drawing is called Balancing Act. In it we see a naked woman with arms and legs outstretched standing on the feet of an upside down similarly exposed man. We don’t see the top of her head and his head and arms but presume he is doing a handstand; this also lends the feeling that life goes on outside the page. They are surrounded by black, a dark nocturnal world. I collect circus photographs of high wire acrobats and trapeze artists from the thirties and forties. I find these images of trust and gravity very moving; the spot lit figures against the blackness of the canvas roof often find their way into my thoughts and drawings. I was also reading at this time, Nightmare Alley, a delicious ‘Carny’ novel written in 1946 by
William Lindsay Gresham about a trickster couple on the make." 
David Austen, April 2015