|Medium||Graphite, collage and tape on paper|
|Dimensions||29.7 x 21.1 cm|
|Bidding Open||Thu 16 April, 2015 at 10:00am|
|Bidding Ended||Wed 26 April, 2017 at 9:00pm|
David Osbaldeston (b.1968, Northampton) lives and works in London and Manchester. Awards include the Chancellors’ Fellow Art/Writing residency at Edinburgh College of Art (2014). Graduated from Manchester Metropolitan University (2002); and Sheffield City Polytechnic (1992). Select solo exhibitions include The Top & Bottom of It, Mechanism for a Future Reference, Matt’s Gallery, London (2015); Living Matter – What’s Been Before, Remains to be Seen, Onomatopee, Eindhoven (2013); Out of Time (The Light of Day, The Action of the Play), Castlefield Gallery, Manchester (2010); Another Shadow Fight, International Project Space, Bournville Centre for Visual Arts, Birmingham (2008); Gest: Future Criticism, Stanley Picker Gallery, London (2007); and Frozen Tears III, Dexter Sinister and Creative Time, New York (2007). Select group exhibitions include Annals of the Twenty Ninth Century, Wysing Arts Centre, Cambridge (2014); A Model of the Serving Library, Tate, Liverpool (2014); Drawing Biennial, The Drawing Room, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); Rijksakademie Open Ateliers, Rijksakademie, Amsterdam (2010); and Not Yet Night, Studio Voltaire, London (2005).
David Osbaldeston's A Note about Imprecision is a humorous and thought-provoking work that is a summation of Osbaldeston’s ongoing quest to debunk the language of science and certainty. His signature cut and paste technique and wry sense of humour creates a work that is visually rich and brain teasingly cryptic.