|Medium||Graphite, collage and tape on paper|
|Dimensions||29.7 x 21.1 cm|
|Bidding Open||Thu 16 April, 2015 at 10:00am|
|Bidding Ended||Tue 26 March, 2019 at 9:30pm|
David Osbaldeston (b.1968, Northampton) lives and works in Manchester and Scotland. Studied MA at Manchester Metropolitan University (2002). Residencies include the Rijksakademie Van Beeldende Kunsten (2010). Osbaldeston is Reader in Fine Art at Manchester Metropolitan University, and published his first monograph INFLECTION SANDWICH in collaboration with artist and typographer Will Holder (2015). Select solo exhibitions include The Serving Library V: David Osbaldeston at the Bonington Gallery, Bonington Gallery, Nottingham (2018); The Top & Bottom of It, Mechanism for a Future Reference, Matt’s Gallery, London (2015); The Practice of Theories, Wysing Arts Centre (2016); Living Matter / Inflection Sandwich, Piper Keys, London (2013); and Another Shadow Fight, International Project Space, Bournville Centre for Visual Arts, Birmingham (2008). Select group exhibitions include Annals of the Twenty Ninth Century, Wysing Arts Centre, Cambridge (2014); A Model of the Serving Library, Tate, Liverpool (2014); Drawing Biennial, The Drawing Room, London (2013); Marbled Reams, The Modern Institute, Glasgow (2012); and Rijksakademie Open Ateliers, Rijksakademie, Amsterdam (2010). His works are held in private and public collections including Tate, London; The British Council, London; and Whitworth Art Gallery, Manchester.
David Osbaldeston's A Note about Imprecision is a humorous and thought-provoking work that is a summation of Osbaldeston’s ongoing quest to debunk the language of science and certainty. His signature cut and paste technique and wry sense of humour creates a work that is visually rich and brain teasingly cryptic.