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Born 1959 Chigwell, Mark Wallinger lives and works in London. Graduated from MA Goldsmith’s College, London (1985); Chelsea School of Art, London (1981); and Loughton College (1978).
Wallinger is one of the UK’s leading contemporary artists. Having previously been nominated for the Turner Prize in 1995, he won in 2007 for his installation State Britain. His work Ecce Homo (1999–2000) was the first piece to occupy the empty plinth in Trafalgar Square. He represented Britain at the Venice Biennale in 2001. Labyrinth (2013), a major and permanent commission for Art on the Underground, was created to celebrate 150 years of the London Underground. In 2018, the permanent work Writ in Water was realised for the National Trust to celebrate Magna Carta at Runnymede, and The World Turned Upside Down was unveiled in 2019 for the London School of Economics.
His works are held in public collections including Tate, London; MoMA, New York; and Centre Pompidou, Paris.
Select solo exhibitions include Mark Wallinger, SCAD Savannah College of Art and Design, Savannah (2019); Upside Down Inside Out Back To Front, Galerie Krinzinger, Vienna (2019); The Human Figure In Space, Jerwood Gallery, Hastings (2018); MARK WALLINGER MARK, Centro per l’Arte Contemporanea Luigi Pecci, Prato and touring (2016-18); SITE, BALTIC Centre for Contemporary Art, Gateshead (2012); Museum de Pont, Tilburg (2011); Kunstnernes Hus, Oslo (2010); Aargauer Kunsthaus, Aarau (2008); Kunstverein Braunschweig, Braunschweig (2007); State Britain, Tate Britain, London (2007); No Man’s Land, Whitechapel Gallery, London (2001); and Credo, Tate Liverpool, Liverpool (2000). Selected group exhibitions include World Without End, Dublin City Gallery, The Hugh Lane, Dublin (2020); 800th Anniversary Exhibition at Salisbury Cathedral, Salisbury Cathedral (2020); Counter Acts, Lethaby Gallery, Central Saint Martins, University of the Arts London (2019); L’homme qui marche, Verkörperungen des Sperrigen, Kunsthalle Bielefeld (2019); You Can’t Tell By Looking, Tension Fine Art, London (2019); Revolution From Without, The Shelly and Donald Rubin Foundation, New York (2019); In the Labyrinth, Large Glass Gallery, London (2019); and The Art of Dissonance, Seoul Museum of Art, Seoul (2017).
|Medium||Permanent marker on paper|
|Dimensions||29.7 cm x 21 cm|
|Ends||Wed 15 May 2013, 21:30
May 15, 2013 21:30
|Bid||Bidding is now closed|
|Available for:||£ 250
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