Till Megerle (b. 1979, Bayreuth, Germany) lives and works in Vienna and Berlin. Studied at the Leipzig Academy of Visual Arts and the Vienna Academy of Fine Arts. His works in drawing, photography and video are often structured as series and revolve around topics such as body images, pop culture and German history. The stylistic appropriations in his drawings range from the Renaissance to 19th century caricature. Select solo exhibitions include Christian Andersen, Copenhagen (2017); Till Megerle, San Felice, San Felice (2016); Donkeys, 21er Haus, Vienna (2015); Baireuth, Kunstverein Freiburg (2015); Till Megerle, Studio 2o46, Berlin (2014); HALLUX, Christian Andersen, Copenhagen (2014); Till Megerle, Diana Lambert, Vienna (2013); Till Megerle, Center, Berlin (2012) and Till Megerle, curated by Diana Lambert, L’Ocean Licker, Vienna (2012). Select group exhibitions include Forms of Spittle, Galerie der Stadt Schwaz, Austria (2016); William Arnold, New York, USA (2015); 48 Drawings, Spike, Berlin (2015); NOUSMOULES, Vienna (2015); Art Book Weekend, Devil’s Mouth, Oslo (2014); Notes from Underground, Baba Vasa’s Cellar, Sofia (2014); Don’t You Feel Me, Micky Schubert, Berlin (2014); Die Schlange Hoffnung, Kunstbunker Hintereingang, Nuremburg (2013); Till Megerle, Dominik Sittig, Der diagnostische Trieb, Valerie Prekär, Berlin (2011); and Keine Entfernugen zu überwinden zwischen Fragesteller und Antwortgeber, Kunstverein Harburger Bahnhof, Hamburg (2010). Select cinematography includes 2 A.M., directed by Loretta Fahrenholz (2016); Group Admits Mistake, directed by Michael Franz (2016); My Throat, My Air, directed by Loretta Fahrenholz (2013); and Ditch Plains, directed by Loretta Fahrenholz (2013).
Last updated: 02.03.2017