Jesse Darling (b. 1985, UK) lives and works in Berlin and London. Graduated from MFA Slade School of Fine Art, University College London, London (2014) and BA Central St. Martins College of Art and Design, London (2010). Darling has been selected for commissions by Volksbühne, Berlin (2018); MoMA, Warsaw (2014–16); and the Serpentine Galleries, London (2015). Other projects include a special project for Artforum (2018) and the curation of a group show, Mene Mene Tekel Parsin, Wysing Arts Centre, Cambridge (2017). They have published texts in print and online including The Best British Poetry, Salt Publishing (2015) and Mass Effect: Art and the Internet in the 21st Century, MIT Press (2015). Select solo exhibitions include The Ballad of Saint Jerome, Tate Britain, London (2018-19); Support Level, Chapter, New York (2018); Armes Blanches: History is Other People, Galerie Sultana, Paris (2017); The Great Near, Arcadia Missa, London (2016); Not Long Now, Lima Zulu, London (2014); and Stockholm Syndrome and Other System Failures, Arcadia Missa, London (2012). Select group exhibitions include Post-Institutional Stress Disorder, Kunsthal Aarhus, Aarhus (2018-19); À Cris Ouverts, Les Ateliers de Rennes Biennale d’Art Contemporain, Rennes (2018); Give Up the Ghost, Baltic Triennial 13, Tallinn Art Hall, Tallinn (2018); Cellular World, GoMA @ Glasgow International, Glasgow (2018); more of an avalanche, Wysing Art Centre, Cambridge (2018); Occasional Geometries, Longside Gallery/ Yorkshire Sculpture Park, Wakefield (2017); Command-Alternative-Escape, 57th Venice Biennale, Venice (2017); Turn the Tide, RCA, London (2017); and Bread and Roses, Museum of Modern Art, Warsaw (2016).
Last updated: 15.02.2019