Amalia Pica (b. 1978 Neuquén, Argentina) lives and works in London. Studied at Escuela Nacional de Bellas Artes Prilidiano Pueyrredon, Buenos Aires and Rijksakademie van Beeldende Kunsten, Amsterdam. Her work explores fundamental issues of communication, civic participation and metaphor through sculptures, installations, photographs, projections, live performances, and drawings. Select solo exhibitions include Blow the Whistle, Beat the Drum, Mark Foxx, Los Angeles, US (2016); Portlligat, El Nuevo Museo de Arte Contemporáneo, Ciudad de Guatemala City, GT (2015); One Thing After Another, Stigter Van Doesburg, Amsterdam, NL (2014); Memorial for intersections, Kunsthalle Lissabon, Lisbon, PT (2013); Chronic Listeners, Kunsthalle St Gallen, CH (2012); On Paper Basis, Frankfurt, DE (2012); and For Shower Singers, Modern Art Oxford, UK (2012). Select group exhibitions include The String Traveller, S.M.A.K, Ghent, BE (2017); CONDO Herald Street, London, UK (2017); The Space Between, MASS MoCA, Massachusetts, US (2016); Strangers (performance), Tate Modern, London, UK (2016); Un Nouveau festival / Expanding the Field of Play, Centre Pompidou, FR (2015); Adventures of the Black Square, Whitechapel Gallery, London, UK (2015); Under the Same Sun: Art from Latin America Today, Soloman R. Guggenheim Museum, New York, US (2014); Version Control, Arnolfini, Bristol (2013); The Ungovernables, New Museum, New York, US (2012); and ILLUMInations, 54th Venice Biennale, Venice, IT (2011).
Last updated: 23.02.2017