Amalia Pica (b. 1978, Neuquén) lives and works in London. Graduated from Rijksakademie van Beeldende Kunsten, Amsterdam (2005); and Escuela Nacional de Bellas Artes Prilidiano Pueyrredon, Buenos Aires (2003). Awards include the Art Rotterdam Illy Prize and the Paul Hamlyn Foundation award (2011). Select solo exhibitions include (un)heard, CC Foundation, Shanghai (2019); please open hurry, Institute of Modern Art, Brisbane (2017); Blow the Whistle, Beat the Drum, Mark Foxx, Los Angeles (2016); Portlligat, El Nuevo Museo de Arte Contemporáneo, Guatemala City (2015); One Thing After Another, Stigter Van Doesburg, Amsterdam (2014); Memorial for intersections, Kunsthalle Lisbon, Lisbon (2013); Chronic Listeners, Kunsthalle St Gallen, St Gallen (2012); On Paper Basis, Frankfurt (2012); and For Shower Singers, Modern Art Oxford, Oxford (2012). Select group exhibitions include Untitled (how does it feel), Kunsthalle Lisbon, Lisbon (2018); The String Traveller, S.M.A.K, Ghent (2017); CONDO Herald Street, London (2017); Strangers (performance), Tate Modern, London (2016); Un Nouveau festival / Expanding the Field of Play, Centre Pompidou, Paris (2015); Adventures of the Black Square, Whitechapel Gallery, London (2015); Under the Same Sun: Art from Latin America Today, Soloman R. Guggenheim Museum, New York (2014); Version Control, Arnolfini, Bristol (2013); The Ungovernables, New Museum, New York (2012); and ILLUMInations, 54th Venice Biennale, Venice (2011). Her works are held in public and private collections including Tate, London; Museum of Modern Art, New York; Guggenheim, New York; Museum of Contemporary Art, Chicago; Stedelijk Museum, Amsterdam; Fundação De Serralves, Porto; and Museum of Fine Arts, Boston.
Last updated: 13.02.2019