Alina Szapocznikow

  • View large image Bust-Length Figure of a Woman, Headless 2

    Alina Szapochnikow, Bust-Length Figure of a Woman, Headless 2, c.1971 Felt tip pen on perforated paper 32 x 23.4cm Private Collection, Paris Courtesy The Estate of Alina Szapochnikow / Piotr Stanislawski / Galerie Loevenbruck, Paris © ADAGP, Paris. Photo Fabrice Gousset

Alina Szapocznikow (b. 1926 Kalisz, Poland; died 1973, Praz-Coutant, France) lived and worked in Poland and France. Growing up in occupied Poland during World War II, Szapocznikow spent most of her adolescent years between Nazi ghettos and concentration camps. After surviving the holocaust, she studied at Otokar Velímsky and the Artistic Industrial College of studio Josef Wagner, both in Prague, and at the Ecole Nationale Supérieure des Beaux-Arts, Paris. Szapocznikow is best known for casts she made of both her body and her son’s body. These sculptures of fragmented body parts were rendered in bronze and stone, using sculpture as a medium for honouring memory and recording one’s own physical being. She represented Poland in the 1962 Venice Biennale, and in 2012, she was the subject of a retrospective exhibition at the Museum of Modern Art in New York. Selected solo exhibitions include: TAMA, Tel Aviv Museum of Art, Israel (2014); Galerie Loevenbruck, Paris (2013); Centre Pompidou, Paris (2013); Museum of Modern Art, New York (2012); Wexner Center for the Arts, Colombus, Ohio (2012); Hammer Museum, Los Angeles, California (2012); WIELS Centre d’Art Contemporain, Bruxelles, Belgium (2011); Kunstparterre, Munich (2012); Galerie Isabella Czarnowska, Berlin (2009); Broadway Gallery 1602, New York (2007); Czeskie Museum Sztuki, Prague, Czech Republic (2007); Narodowe, Warsaw, Poland (1999); Zacheta, Warsaw (1998); and  Museum Narodowe, Krakow, Poland (1998).

Last updated: 30.09.2014


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